What They’ve Said About Family Comes First…
Monday, March 9th, 2009NY Times reader posted review:
EATfest 2009 Festival Series B: New York’s best o-o-Broadway offering. MRS. JANSEN offers touching and comic performances. MOON NIGHT needs trimming but has compelling moments. FIVE WORST WORDS has a nice twist. Jon Spano’s FAMILY COMES FIRST is hilarious, disturbing, and boasts theatre’s most intriguing ensemble cast. A gem.
From Stagebuzz.com:
The final piece of the evening, and one of the most disturbingly amusing I’ve seen in a while, is Joe Spano’s Family Comes First. Featuring a cast of characters that makes the Addams Family seem like the Osmonds, the tag line for the play is, “The family that lays together, stays together.” Living on an isolated vineyard, Clarissa (Lawrence M. Bullock), her brother/husband Elfin (Blake Walton) and their children Hammer (Dusty Alvarado), Rubinesque (Vinnie Costa) and Troy-Toy (Adam Schneider) are coming up with a plan to keep the family matriarch from giving all their fortune to the church. To describe much more will give away much of the nasty and funny secrets in this over-the-top play. The all-male cast does an excellent job, especially the outstanding Vinnie Costa as Rubinesque. Also worth mentioning are J. Stephen Brantley, as the long-suffering and sassy Caterpillar, and Dusty Alvarado who gleams with a feral sexiness as Hammer. This John Waters meets Charles Addams play will not be for everyone, but those who like their comedy on the absurd side will have fun.
From NYTheatreWorld.com:
The final offering of the evening is Jon Spano’s Family Comes First. This is a naughty romp where, in order to save the family inheritance, someone must have sex with the dying, but still virginal, grandmother. Yes, you read that correctly, our theatrical motif here is “popping grandma’s cherry.” Spano has a sharp wit and lampoons everything from religion to sexuality to race, and of course everybody’s favorite, incest. All is relative in this quirky family comedy. Dinero also directs this piece showing his flair for the comic and absurd. The strength of the piece however, is in the fine ensemble performance. Lawrence M. Bullock, J. Stephen Brantley, Blake Walton, Adam Schneider, Vinnie Costa, and Dusty Alvarado make the text pop with disturbing innuendo. They are well-rehearsed and this shows through in their playfulness.











